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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond in Leeds in 1977

The talented musician, a key member of the groundbreaking 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the duo scored a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of synth-pop.

He subsequently formed the pioneering electronic act The Grid, who achieved chart success with their 1994 single Swamp Thing.

Ball passed away calmly in his sleep at his home in London on Wednesday 22 October, only a short time after performing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

At that show, Ball appeared in a mobility chair, as he had for the previous couple of years, after a period of health issues.

"I managed to damage myself significantly," he stated in 2023. "I broke spinal bones in my back and fractured about five ribs and fractured my wrist."

Following catching a lung infection and suffering from blood poisoning, he was put in an induced coma and remained in the hospital for seven months.

However, he had been in "a great place emotionally" during the warmer months, as he was developing a new album with Almond, titled the upcoming Danceteria, which is scheduled for release next year.

"He was focused and so happy with the latest project that we actually finished only a short time ago," stated the vocalist in a heartfelt message.
"It's so sad as next year was all set to be such an positive year for him, and I take some solace from the fact that he listened to the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond referred to his bandmate as "a wonderfully brilliant creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an significant part of my existence and for the music you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "endless laughter" and "unwavering friendship".

"Forming a duo with someone is different from being in a group, the bond is very tight," he continued.
"That's how it was with us. We went through so many extraordinary, incredible, life-affirming experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Brought into the world into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He was raised in Blackpool with his new family his caregivers, who changed his given name from his birth name to his adopted name, alongside his younger sister Susan, who was also adopted.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both learning fine arts. Inspired by a mutual passion of a music genre, they established Soft Cell the very year, and quickly recorded an extended play.

Creative Collaboration

The pair were an unusual combination: Ball was the quiet musician, hunched over his synthesizer, while Almond was a flamboyant performer, all sparkle and makeup; but they attained a rare musical alchemy.

Ball had developed a fascination with electronic instruments after watching the band Kraftwerk appear on BBC science show Tomorrow's World, and began to marry moody electronic sounds to the soaring melodies Almond was composing.

Tainted Love became the UK's second biggest-selling single of 1981, shifting millions of units globally. Together with successful tracks by Gary Numan, Human League and electronic acts, it helped cleared the path for the synth-pop sound of the 80s.

The song was also featured on their full-length debut, their initial LP, which produced two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were developing fresh songs until just before Ball's passing

Professional Journey

Fame had its upsides. "I enjoyed being able to purchase my first home, having financial security and exploring, which makes me sound like a Miss World," Ball not long ago told with a publication.

But it also caused problems. "Sudden riches allowed we could afford newfound drugs to alleviate the monotony" of media interviews and television shows, Ball explained.

"I realize that's a common saying, but it's a cliché for a valid cause, because it applies for so many bands."

Amidst the party-filled existence, the duo were also growing distant, but they managed to create a follow-up classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released another LP, their 1984 release This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond proceeded to have a successful individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a enduring partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, releasing the charting album Cruelty Without Beauty.

After a further hiatus, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the O2 Arena on 30 September, 2018.

Yet, they stayed active, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately characterized the duo's upcoming release as a homage to the NYC nightlife they visited while making their first two albums.

He added that his time in medical care had shaped the band's sound.

"I experienced unusual memories when I was coming and going of the hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a electronic representation of the sounds in my head from those days.
"In parallel, it's about the times me and Marc got up to in the 1980s."

The last versions were completed only a short time before Ball passed away. It is due for release in Spring 2026.

About the author

Travis Hart

Elena is a seasoned journalist with over a decade of experience covering UK politics and social issues, known for her insightful reporting and engaging storytelling.

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